Showing posts from April 26, 2009

The REAL NEA Announcement

Back on April 1st, I posted that I had received an NEA grant for my Less Than 100k Project. At the time, several of my readers suspected an April Fool's prank, and they were likely strengthened in this opinion from the post disappearing from my blog a few days later. Actually, what I had discovered was that I was not supposed to announce anything until there was an official press release by the NEA on April 30th -- today. Here is the official NEA release and the list of theatre awards. I am very honored to have been even considered for this, much less to have actually received it. It is my hope that this funding will lead to the creation of many theatres in small and rural communities across America, who are underserved by the mainstream theatre.

While there seem to be quite a few community-agnostics and -atheists among the theatre blogging community, and many more who feel as if the connection between artists and their community should be weak or nonexistent, I have great belief i…

Elizabeth Gilbert on the Creative Mystery

Fractured Atlas linked to this Ted Talk by Elizabeth Gilbert, author of Eat, Pray, Love, which seems to say something connected to what I said in my previous post:

Transparent to Transcendence

Today was the last lecture in my History of Theatre I course, and I wanted to do something that would tie 2000 years of theatre history together in some way that was portable, and in some way might have some inspirational value. This is what I said:

The birth of theatre is said to have occurred when Thespis stepped from the dithyramb chorus and declared “I am Dionysus!” This is the birth of the embodied metaphor that is what theatre is all about. The difference between a simile and a metaphor is important to understand in this context. Simile: He eats like a pig; Metaphor: He IS a pig. One is descriptive, narrative; the other is transformative, a metamorphosisAristotle made this distinction between epic and drama, and it centered on mimesis. Epic – like Homer’s poems – were narrated, and the narrator shifted between characters and also maintained a presence as a storyteller outside the action. But drama is mimetic: an imitation of nature, a kind of impersonation.The word impersonate co…