Jay Adams on the Death of Theatre
(h/t Ghost Light): I have nothing to add, except to say this: read a chapter from Outrageous Fortune, then read this, and then tell me what is wrong with the theatre.
Reconsidering the Past, Rethinking the Present, Reimagining the Future
Comments
How can prices be lower and theater still survive? That's really the question.
No, the contrast I saw between the two is that Jay Adams asks the artist to consider what the audience NEEDS, whereas Outrageous Fortune is all about what the artist needs. If there was one huge disconnect, it is the idea that artists believe that the theatre is all about THEM, whereas Adams suggests it is all about the audience.
Jay Adams even mentions not going across town to spend $50 for a show. $50?
I believe young people would be more interested in theater if they could walk up to the box office, plunk down $10 or $12 (same as a movie), and see a show.
Right now we're asking young people to drink the kool aid AND go broke to see a show they really know nothing about (in the case of new plays, and likely the classics, if we're talking about young people).
In order to compete with movies and other entertainment, of course, advertising budgets would have to be larger or some other means of getting folks' attention would have to be devised, like a circus parade or some other public spectacle announcing a show's existence.
The fact is that the people who are having children these days aren't theater goers. They can't afford the habit. So how can we expect their kids to grow up liking theater? It sometimes seems the only people who like theater are those working in it or planning to work in it (and that's a pose with manty of the latter group, as they see theater as the minor leagues leading to a real career in TV or film).
Meanwhile, we're asking young people to spend 10% of their monthly rent for a night at the theater. And don't tell me about the price of restaurant meals, please. These kids are eating fast food on the cheap when they go out.
A couple years ago, Broadway had the biggest grossing year in history. What was the response? Raise ticket prices and institute "premium pricing". That's greed and that's become the biz.
Right now there's a lot of fear out there in the entertainment biz. Record companies fear downloads. The movies fear streaming. Book publishers fear Kindle and other devices. TV fears the fractional-ization of the audience due to 500 (crappy) cable stations. All these fears are about money, profits.
So, what are theater people worried about? Well, according to the blogs I've read, there's a lot of concern that people aren't making a living as playwrights. Or enough new plays aren't getting done. This is some of the silliest blather I've ever read. Who ever told these people that they would make a living as playwrights?!? Have they never read a biography of a playwright? Were they so sheltered growing up and throughout the education process that they have no idea how to live the life of an artist?
So, get the capitalists/corporatists out of the theater. Make theater about something other than profit and cash flow in the real world.
Look at the photos of the Royal Deluxe street theater troupe some time. Look at the streets filled with people. Go see a folk play in Freisland (northern Holland) sometime, where entire towns turn out. Then tell me people don't hunger for theatrical spectacle. It's not that they don't want it. It's choosing between a new pair of shoes and a night out that bugs them.
Of course, getting the money out of the equation will be hard in country where investors expect to make a return on health insurance and Humana hospitals, and where war is a never-ending profit stream for the elite. Make life about something other than money and the theater will follow.
Here's an interesting take on what's going on with society in general regarding this:
http://www.alternet.org/module/printversion/145481
It may be that there is no solution and that America's theater is going the way of its empire.