From "Oil and Water, Or How a Director Taught the Brilliant Old Dogs of Steppenwolf Some New Tricks" by Tina Landua, in this month's American Theatre:
"There's another thing I've learned from Steppenwolf. It's not: "Yes, and..." or "The same only different," but it too possesses a quirky and self-explantory name. We call it: "I cry bullshit." I learned this from the likes of Tom and Amy, Laurie Metcalf, Gary Sinise, Terry Kinney and Jeff Perry. It's a favor the ensemble does for each other, and they've developed this technique over 25 years together in basements, churches, and now in their three performance spaces on North Halsted Street in Chicago. If you're watching rehearsals and something happens onstage that is false, contrived, not believable (it could be a move, an acting choice, a line) you are encouraged (not required) by Steppenwolf Law to raise your hand as you would in class and call out: "I cry bullshit!"
Subscribe to:
Post Comments (Atom)
-
I knew this was eventually going to happen. The Director wrote this in my comments: I'm trying to get into grad school to work on my MFA...
-
There is an oft-told story about leadership that goes something like this: A large group of explorers are cutting their way through a jungle...
-
On the sidebar on the right side of this blog you will find five principles, one of which includes "mutuality." This admittedly aw...
3 comments:
I think this is a law that audience members should be able to exercise at performances!
Brian
...and political debates.
... and corporate environments !
Post a Comment